(Item 20)
Chas. Passow & Sons of Chicago were the elite rivals to Brunswick-Balke-Collender during the late 19th and early 20th centuries. While Brunswick was the industrial giant, Passow was often seen as the “artisan’s choice,” known for intricate marquetry and superior cabinetry.
The fact that this table features the “C.P.” monogram in the lower skirts confirms it was a flagship model, likely a custom commission or a top-tier showroom piece.
🎨 The Material Masterclass
The wood combination on this 8′ table is a “who’s who” of exotic Victorian timber:
Olive Ash Burl: Provides that swirling, “marbled” golden background.
Brazilian Rosewood: Now an endangered and highly protected wood, it was used for the dark, rich contrast in the inlay.
Birds-eye Maple: Adds the “dotted” highlights in the marquetry patterns.
🏛️ Historical Significance
Charles Passow started his career at Brunswick before striking out on his own in Chicago. Because Passow & Sons was a smaller operation, their surviving tables are significantly rarer than Brunswicks. Finding one with original marquetry initials intact is an exceptional find for a billiards historian.
🔍 Restoration & Value Factors
For an 8′ Victorian Passow, the value hinges on the “bones”:
The Slate: Victorian tables often used 3-piece oversized slate ($1 \text{ in}$ to $1 \text{ 1/2 in}$ thick). If the slate is cracked, the value drops significantly.
The Rails: Are they original “Monarch” style cushions? If they’ve been replaced with modern rubber, it’s better for play, but the original wood caps must remain for collector value.
The Inlay Condition: “Lifting” or missing pieces of the rosewood/maple marquetry can be incredibly expensive to restore.
- Please email for price.
